After calculating how she can repay the money she has spent, Marion dumps her notes down the toilet and begins to shower. Marion resolves to return to Phoenix to return the money. Later that night, while Marion is changing, Norman secretly watches her from a peephole in his office and masturbates before heading back to the house. He admits he would like to do so, but he does not want to abandon her. She overhears Norman arguing with his mother about letting Marion in the house and, during the meal, she angers him by suggesting he institutionalize his mother. He invites Marion to have supper with him. Owner Norman Bates tells Marion he rarely has customers because of a new interstate highway nearby and mentions he lives with his mother Norma in the house overlooking the motel. Marion returns to the road but, rather than drive in a heavy storm, decides to spend the night at the Bates Motel. When she trades her car for another one at a dealership, he notes the new vehicle's details. A highway patrol trooper awakens her and, suspicious of her agitated state, begins to follow her. While en route to Sam's California home, she parks along the road to sleep. Marion Crane steals $400,000 from her employer to get her boyfriend, Sam Loomis, out of debt. It received three Golden Raspberry nominations and won in the categories of Worst Remake, and Worst Director. The film was both a critical and commercial failure. Murder sequences are also intercut with surreal dream images. Some changes are introduced to account for advances in technology since the original film and to make the content more explicit. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo. Although this version is in color, features a different cast, and is set in 1998, it is closer to a shot-for-shot remake than most remakes, often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over.
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